This paper, through the analysis of historical records, attempts to reveal the relationship between the introduction of the Chinese social system to the ancient Japanese court and the influence this had on the music and dance performances by women.

Naikyobo, one of the government institutions in Japan, from the middle of the eighth century, consisted of only female performers even though gagakuryo, the main music and dance department had been established with both male and female members.

Various historical studies verify that Japan was originally not a male-dominated society but instead this system, along with other political and cultural elements, was incorporated from the Chinese court. Because the ceremonies that the female performance institution was in charge of started around this same period of change, music and dance performances were significantly influenced, causing certain ceremonies to be held only by women.

This research is conducted from three perspectives. Firstly, it notes how these ceremonies were held, and what was performed. Secondly, it looks at some of the political surrounding of these women performed ceremonies. Thirdly, it details the introduction of social customs and culture from China to the Japanese court through the exemplification of ceremonial performances by women. It is clear that Japanese culture, including its music, developed with indispensable influences from China. We can see how this development occurred through the process of cultural incorporation, eventual adjustment and adaptation, as well as how music and dance performances emulated this political situation.